21 October 2010

Recent Discussions between SPADA and NZ Actors’ Equity

 Last week SPADA held a meeting with representatives of NZ Actors’ Equity (Equity). Helen Kelly from the CTU also attended and the meeting was chaired by Hon Gerry Brownlee.

There was an acceptance by the parties that the targeting of individual productions by the union had not been a successful strategy and that henceforth the parties would discuss matters with each other in the first instance.

At the meeting SPADA and Equity agreed they would enter a period of discussion and good faith negotiation on the Pink Book. While all matters of form and content relating to the engagement of actors in the screen industry will be discussed, you should be aware that this is no more than what would normally happen in such discussions and that these are the discussions we were trying to have with the union around 18 months ago.

This recent period of industrial unrest has been damaging for New Zealand's reputation as a shooting location and created a lot of uncertainty.

In an effort to restore the confidence of the international and domestic film financing and production communities, and to ensure a peaceful stable period while we discuss the Pink Book, we negotiated an interim agreement until 31 March 2011 when it is expected that the Pink Book negotiations will be concluded.

Any production that commences preproduction before 31 March 2011, and adheres to the guidelines as set out in the Code of Practice for the Engagement of Cast in the New Zealand Screen Production Industry dated 6 June 2005 (and more commonly known as the “Pink Book”), will be covered by this agreement.

Equity has contracted with us that they will not enter into any negotiations or undertake any industrial action against those productions or encourage or facilitate any of its affiliate bodies or members to do likewise.

Over the weekend, Equity was to request their affiliated international unions to lift the “boycott” on The Hobbit.

We were hopeful that this action, together with the green-lighting of the picture and the interim agreement between SPADA and Equity during the negotiation period, would mean that The Hobbit and other productions would go ahead in New Zealand. 

In the case of The Hobbit, the situation is obviously uncertain but SPADA wish Peter, Fran, Philippa and Carolyn all the best in their efforts to persuade Warner Brothers to keep the film here. The difficulty of this task should not be underestimated.

 
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