FRINGE '04: Scavenger
SPANISH SNATCH CATCH!
Plenty
More Fish For My Tackle Says Local
Fisherman
Ace Tabloid reporter Max McManahan has his headline – now all he needs is the story to match.
Max has never met a beat-up he didn’t like – or chase! His search for the scandalous bodice-ripping yarn takes him Cornwall in search of a genuine scoop.
SCAVENGER
Bats Theatre 16th-22nd February 8pm.
Bookings 801-4175
The search for the truth (or at least a good story) is the setting for “Scavenger”, a Fringe Festival performance led by Wellingtonian Will Harris, who’s just returned from studying in London to premiere the new show.
“Scavenger” also features actors Annabel Himbernon (Spain) and Paul Attmere (UK) who trained with Harris at London’s prestigious Desmond Jones School of Mime and Physical Theatre. The show is directed by Geoff Pinfield a recent graduate of Victoria University's and Toi Whakaari's Masters in Theatre Directing course.
Wild Step Theatre combines the different disciplines and expertise that each member of the company brings. From mime to Commedia, acrobatics to story-telling, mask to clown. This mixture of culture and knowledge produces a result rich in images, movement and rhythm as well as a ripping good yarn.
“Scavenger” is not your standard Festival performance, it is a new devised physical theatre piece which isn't script based, it comes alive during the rehearsal process.
BIOGRAPHIES
Will Harris
New
Zealand
Will has a BA in Theatre and Film from Victoria
University in Wellington and it was here his interest in
physical theatre began. This led him to co-found the theatre
company Open Book Productions, a new company focused upon
devised accessible theatre. Open Book went on to perform
shows in several Fringe Festivals, both in theatres and
found spaces. These include ‘The Garden Party’ (Fringe
1999), ‘Invisible Ink’ (Fringe 2000, Best Theatre Award) and
‘This Ridiculous Dance’ performed at the Melbourne Fringe
Festival. During this time Will was also involved in several
other shows including ‘Faultlines’ (Dir. Tom McCrory), ‘Mask
of the Red Death’ (Dir. James Ashcroft) and ‘Bitter Lemons’
(Dir. Tahi Mapp-Boren). He has just graduated from the
Desmond Jones School of Mime and Physical Theatre.
Anabel
Himbernon
Spain
Anabel has trained and performed
extensively throughout Spain and Europe. She began her
training in Barcelona where she studied for two years at
Estudis De Teatre. There she worked with the Eccole theatre
company and worked on several shows including ‘Mes Gags’,
‘El Ciclo De La Vida’, and ‘Poepurris’, a show based on
Edgar Allen Poe’s short stories. She has also studied
Commedia Dell’arte in Italy at the Scoula Internzionale Di
Commedia Della’arte with Antonio Fava and performed as a
street performer and in festivals throughout the UK.
Paul Attmere
England
Paul has had widespread
experience working throughout the UK with theatre companies
specialising in visual and physical theatre. His training
began at Goldsmiths’ University in London and recently he
has studied at the Desmond Jones School of Mime and Physical
Theatre. Previous works include devising a performance from
the Velasquez painting ‘Las Meninas’ for the Brighton
Festival 2000 and in 2001, adapting David Lynch’s film ‘Wild
at Heart’ for the Edinburgh Festival. Other work includes
‘Phedre’ (Wired, 2000), ‘Attempts on Her Life’ (Akademia,
2001) and working as a street performer promoting awareness
about the environment. He has also had experience working
with children in educational theatre, raising awareness of
autism through participatory programs.
The Director
Geoff Pinfield
New Zealand
Has recently
graduated with a Masters degree in theatre directing from
Victoria University and Toi Whakaari – New Zealand Drama
School. Prior to this he studied theatre at Queen’s
University, Belfast, where he co-founded the Queen’s Drama
Society. Currently working as a freelance theatre
practitioner, Geoff’s recent directing credits include ‘The
Three Birds’ by Johanna Laurens, ‘Marathon’ by Eduardo Erba
and two devised pieces titled ‘The Icarus Project’ and ‘A
Deed Without A Name’. Geoff has also worked as dramaturg for
‘The Butcher’s Daughter’ at the Herald theatre in Auckland
(Pandemonium Theatre, 2003), Shakespeare’s ‘Troilus and
Cressida’ (Toi Whakaari Graduation performance, 2003) and
‘Innocent When You Dream’ in the Edinburgh Festival (Granary
Productions, 2001). His next show, ‘Happy Hour for Miserable
Children’ (Theatre Beating), will be performed at BATS
theatre in early
March.