Primary Products

MEDIA RELEASE

18 July 2007

Primary Products

A new exhibition at the Adam Art Gallery Te Pataka Toi by New Zealand artists turns its attention to New Zealand’s exotic forests, and the products, industries and trade they support.

Primary Products, which will run from 10 August to 7 October, brings together sculptural installations and photographs from the 1950s to the present that both explore a formalist language and make critical connections to one of New Zealand’s primary industries. It includes works by John Johns, Jim Allen, Paratene Matchitt, Maddie Leach and Fiona Amundsen, all of whom have focused on the industry or made use of exotic timber in their work.

Director of the Adam Art Gallery and curator of the exhibition Christina Barton says her aim is to "tease out new connections between the facts of New Zealand’s emergence as a modern industrial nation, and the history of art that accompanies this, to try to determine the nature of the relationship between modernisation and modernism in this country."

The exhibition includes rarely-seen photographs by John Johns, who was the New Zealand Forest Service’s official photographer between 1951 and 1984 and a passionate advocate for the conservation of natural resources.

It also features Jim Allen’s ground-breaking installation, New Zealand Environment No 5 (1969) which sets out to fully engage the spectator in a multi-sensory situation that radically re-conceives the very notion of landscape representation.

Ms Barton says she is especially privileged to be able to host Paratene Matchitt’s Te Wepu (1986). This major sculpture (which is 22 metres long) was first presented alongside the famous Te Maori exhibition on its return to New Zealand in 1986 and represents Matchitt’s pointed response to his cultural inheritance.

Maddie Leach will be presenting for the first time an installation that was conceived for an event in Santiago, Chile but which never made it to its destination. One Shining Gum (2006) tracks the fascinating journey of a single tree from Wellington to Santiago, exposing New Zealand and Chile as rivals in the forestry trade and offering a poignant reminder about the practical hurdles that still exist to global trade.

Fiona Amundsen presents a suite of new photographs, especially commissioned for the show, that document the timber towns of Murupara, Kawerau and Rotorua in the central North Island, leaving us to ponder the legacy of recent history that has seen fundamental changes to the forestry industry.

This exhibition will be accompanied by a one-day symposium, which will bring together economists, environmentalists, scientists and historians to discuss a range of issues relevant to the exhibition.

ENDS

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