Stupid Stupid Stupid Stupid Stupid Daddy
Stupid Stupid Stupid Stupid Stupid Daddy: new work by
Scott Eady
Scott Eady's new exhibition
opens next week. It 'toys' with modernist sculpural forms
presenting scaled up versions of his children's plasticine
makings. A life size clown leans against a large white blob
- deflated and a little sorry.
The exhibition also includes a series of wire drawings.
Scott will be in town to install the show.
Scott says: "Through
involving my own children in making this body of work, I am
entering a discussion, or at least questioning the dual
roles as artist and parent.
While traditionally the
combination of these two roles may be viewed as carrying
inherent tensions, the process of collaborating with my
children effectively turned any possible disjunctions into
benefits, even essential contributing factors.
Stupid
Stupid Stupid Stupid Stupid Daddy is an extension of
thoughts that are sweet and witty, as well as
self-deprecating and indulgent - territory explored in the
2006 exhibition, The World Keeps Turning.
The majority
of the works in this exhibition are blob-like sculptural
forms cast in either bronze or fibreglass. Upon first
viewing, they seem wildly gestural and expressively
free-form. They are in fact meticulously scaled-up versions
of plasticine originals produced by my three
children.
The full scale 'clown' leans against a life
size semi-figurative but fully abstract blob. The original
was made from plastacine by Ari [his son] when he was four
and it stood about 30mm tall. It reminded me of Willem de
Kooning’s bronze figures and William Tucker’s lumpy
forms. More recent artists of interest and influence that
come to mind are Rebecca Warren and Urs Fischer.
All the
abstract bronzes in the show were first made from Dukit in
miniature by my kids. They also named them all. I then
scaled them up using clay and cast them in bronze. Ari gave
Grandad its name.
Although the resulting forms are the
very opposite of ideal classical sculpture, it was my goal
that the objects remain formally and technically complex as
well as capable of contributing to discussions that might
include but not limited to high/low art, creative and
cognitive development, role and status of artist as parent
and a critique of modernist sculptural practice."
Mary Newton Gallery
150 Vivian
St
Wellington
tel: 04-385-1699
cell:
021-213-2257
www.marynewtongallery.com
www.marynewtongallery.blogspot.com
"Joyful Sorrowful Glorious" new work by Megan Hansen-Knarhoi until 27 March 2010
ends