Altmusic Presents: Richard Youngs, Velvet Hour
Altmusic Presents:Richard Youngs (UK), Rachel Shearer, Velvet Hour
8pm Saturday 6
November
Harbour Light, Lyttelton, Christchurch
$9
Presales from Under the Radar / $10 General
Admission
Richard Youngs is one of the most acclaimed,
chameleon-like explorers of modern music, traversing a
diverse set of distinctive and multi-instrumental forms that
encompass avant-folk, psychedelic drone, progressive
minimalism, lysergic pop, and rock concréte. The stark,
unyielding minimalism of his piano-oriented 1990 debut,
Advent, prompted The Wire’s Alan Licht to list it
alongside works by Terry Riley, Steve Reich, Phil Niblock,
and Tony Conrad as a revelatory favourite of rare
minimalism, while Youngs’ subsequent and prolific
collaborations with Simon Wickham-Smith as R!!! &S!!! are
widely seen as opuses of mind-altering cosmic abstraction,
with one critic describing them as ‘Throbbing Gristle
reimagined as Zen garden desk accessory’.
From the carnivalesque kazoo-psych and warble of ‘New Angloid Sound’, the heartbreaking candour of ‘Sapphie’ - featuring just Youngs’ plaintive voice and a classical guitar, and likened to a hybrid of Galaxie 500 and Nick Drake - the desolate a cappella of ‘Summer Wanderers’ and gorgeous pastoralism of his collaboration with Tirath Singh Nirmala, to the ‘ecstatic house’ of 2009’s ‘Like A Neuron’, the intrepid, curveball pop of ‘Beyond the Valley of Ultrahits’, and the cyclical, stream-of- consciousness and hymnal ‘Under Stellar Stream’, Youngs’ music remains as evocatively beautiful as it is perennially mutable.
While recording with an array of various collaborators, including Jandek, Vibracathedral Orchestra, Neil Campbell of Astral Social Club, Alastair Galbraith, Matthew Bower of Sunroof, and Makoto Kawabata of Acid Mothers Temple, and appearing on a slew of labels such as VHF (Jack Rose, Pelt, Aethenor, Sandra Bell) and Table of the Elements (John Cale, Fennesz, John Fahey, SunnO)))’s Stephen O’Malley, Sonic Youth’s Lee Ranaldo, Rhys Catham, Faust), Youngs has been reticent as a live performer, playing only a handful of occasions between 2006-2008, at Thurston Moore’s All Tomorrows Parties in 2006, and alongside Jandek and Heather Leigh Murray on European tours.
It is thus a rare and special opportunity to witness in person what Melody Maker has described as the ‘grand-meister of contemporary British improv, spiritual son of Eddie Prevost and Maddy Prior; gentle manipulator of English hymn-notics and religious incantations; protégé, challenger and radicaliser of folk, blues, rock, minimalism and improvisation’.
Since
forming Angelhead with The Dead C’s Michael Morley and
White Saucer’s Stella Corkery in 1987, and going on to
play with Corkery in the Siltbreeze alum, Queen Meanie Puss,
Rachel Shearer’s music has ebbed radically between
petaline chanson, enraged GRRL and concrète elysia. Her
multiform collaborations and solo endeavours have surfaced
on a cluster of labels, including Family Vineyard (Loren
Connors, Hisato Higuchi, Jailbreak), Thurston Moore’s
Ecstatic Peace (Magik Markers, Samara Lubelski, Religious
Knives, Awesome Color), Corpus Hermeticum and
Xpressway.
Velvet Hour is a Christchurch and
Melbourne-via-Auckland duo comprising Tim Coster (Vogue
Forums, Currer Bells) and LA Lakers. Their debut release on
Fictitious Sighs - a quiet mélange of chance rock and
geodesic punk - was recorded instead of going out to dinner
with Bruce Russell. Velvet Hour’s lambent, auricular rites
and enchance operations currently embrace mimed grooves
guided by mittened guitar, unfledged Tintinnabuli, hummed
rounds, curvilinear thrums, and funereal yet utopian bongo
intrigue.
Altmusic is a series of sound events, funded
by Creative New Zealand, featuring
respected
international sound artists. It is run by the
Audio Foundation Charitable Trust (http://
www.audiofoundation.org.nz/about), a
peer-based facilitative organisation dedicated to New
Zealand sound culture, whose events in Christchurch are run
by a team of local sound artists and commentators.
ends