Hidden messages in artwork acknowledge Iraqi deaths
31 August 2011
Hidden messages in artwork acknowledge Iraqi deaths
An artwork protesting against the deaths of Iraqi civilian casualties, devised by a Victoria University academic and his US collaborator, is currently showing at the Museum of Modern Art in New York City.
The
work consists of a large stack of seemingly innocuous yellow
notepads. However, the lines of each page, when magnified,
reveal micro-printed text detailing information about all
Iraqi civilian casualties since 2003.
Titled 'Notepad',
the work, on display in an exhibition called Talk to Me, is
produced by SWAMP (Studies of Work Atmospheres and Mass
Production), a collaboration between Douglas Easterly,
Senior Lecturer and Director of the Media Design Programme
at Victoria University and Matthew Kenyon from the
University of Michigan.
The duo says their work is an act of protest and commemoration.
"Our work looks like everyday yellow legal pads of paper, but in reality the lines on the notepads reveal many of the lives that have been lost, and largely ignored, since the US led invasion of 2003," says Mr Easterly.
"Each notepad contains
approximately 10,000 full names, dates, and locations of
each Iraqi civilian death on record over the first three
years of the Iraq War, and when you realise that these
details (collected from
www.iraqbodycount.org About
SWAMP Mr Easterly is Senior Lecturer and Director of
the Media Design Programme at Victoria University and Mr
Kenyon is an Associate Professor at the University of
Michigan's School of Art and
Design.
SWAMP is now working on a new edition of
notepads documenting the loss of life from the American
incursion into Afghanistan, drawing on the disclosure of
confidential information by WikiLeaks.
Douglas Easterly and Matthew Kenyon have been
collaborating on various art projects under the moniker
SWAMP (Studies of Work Atmospheres and Mass Production)
since 1999. Their work focuses on critical themes addressing
the effects of global corporate operations, mass media and
communication, military-industrial complexes, and general
meditations on the space between human and artificial life.
SWAMP has been making work in this vein for the last 10
years using a wide range of media, including custom
software, electronics, mechanical devices, and even living
organisms.
ends