11 Australian Designers Announced as WOW Finalists
1 August 2012
11
Australian Designers Announced as 2012 Brancott Estate WOW
Finalists
Eleven designers from
across Australia have been selected as finalists for this
year’s prestigious New Zealand Brancott Estate World of
WearableArt (WOW) Awards Show.
The
Brancott Estate WOW Awards Show now into its 24th year is
New Zealand’s single largest arts show, with more than
50,000 show goers from around the world attending every
year. This year, in a breathtaking two-hour spectacular of
art, theatre, dance, and music, 164 incredible designs will
be brought to life on stage. The 2012 show season in
Wellington, New Zealand runs from 27th September to 7th
October.
WOW Competition Director
Heather Palmer says Australia has once again presented a
strong contingent of new and returning designers.
“Our Australian finalists have come from across
the country; The Blue Mountains, Brisbane, Canberra,
Melbourne, Gold Coast and Queensland,” Palmer says.
“Every year, Australian designers impress the WOW judges
with their innovative use of materials including plastic
chopping boards, tapa cloth, tooth picks, camping mats,
felted wool and one costume featuring an abundance of
handmade dolls.”
Palmer says that
overall 164 world-class costumes have been selected as
finalists in this year’s Brancott Estate WOW Awards
Show.
“The exceptionally high
standard of entries from around the globe confirms WOW’s
place as a world-leading awards show,” Palmer says.
“This year’s judges say that the successful finalists
have provided fresh ideas, a mix of edginess and
sensitivity, and innovative approaches to section themes.
The use of materials and construction techniques across the
board is also quite incredible. There is the use of
electronics, taxidermy, synthetic and human hair, wood, and
almost every fabric and textile you can
imagine.”
WOW Founder Dame Suzie
Moncrieff says the Brancott Estate WOW Awards Show creative
team is thrilled to be collaborating with an exciting mix of
musical and dance talent this year.
“For the first time ever, New Zealand composer
Gareth Farr has joined the WOW creative team to orchestrate
and compose the Gen-i Creative Excellence Visual Symphony
section, based on the costumes selected as finalists in this
section,” Dame Suzie says. “WOW also welcomes members of
the talented Vector Wellington Orchestra, who will perform
in this section.
“As with every
Brancott Estate WOW Awards Show, dance is a very important
part of the
show and long-standing WOW dance
partners, Footnote Dance Company and the New
Zealand
School of Dance will again perform,”
Dame Suzie says.
“We have also
engaged with 40 independent professional dancers this year,
which is the largest number of dancers ever seen in a WOW
show.
“We also feel very privileged
to welcome leading New Zealand choreographers Michael
Parmenter and Tanemahuta Gray,” she says. “Michael is
choreographing one of the dance sequences in the American
Express Open Section, and Tanemahuta is choreographing the
Air New Zealand South Pacific Section,” she says. “This
year’s show promises to be ‘Out of This
World.’”
- ends –
BACKGROUND
The 2012 Brancott Estate WOW Awards Show
Story to date:
The first round of
judging was held on 7th and 8th July at WOW’s Nelson
headquarters by WOW Founder Dame Suzie Moncrieff and guest
judges, Auckland artist Gregor Kregar and Christchurch
fashion designer Takaaki Sakaguchi. Sir Richard Taylor will
join the judges for the two final judging rounds in
September, when the section winners and the overall Supreme
winner will be decided.
Highlights from Australia in the Brancott
Estate WOW Awards 2012…
• Milada Adams from Mermaid Beach says she
was inspired by Jurassic Park to create her entry
‘Velociraptor’ – a finalist in the American Express
Open Section. She says that her creation brought chaos to
her life, which is true to character for this dinosaur.
“The whole apartment is a disaster zone.” The costume is
eligible for four awards: its category and the ‘First
Time’ entrant, ‘Environment’ and ‘International’
awards.
• Expat New Zealander Kerry
Gelmi who is now living in Bunbury recreated her links with
her homeland with her entry ‘The Way Back Home,’ a
finalist in the Air New Zealand South Pacific Section. The
textile artist says the piece, made from 100% merino wool
felt, is a complete journey from the farm gate to the
catwalk. The costume is eligible for three awards: its
category and the ‘Environment’ and ‘International’
awards.
• In the Geni-i Creative
Excellence Section, sculptor Erica Gray from Sorrento
presents WOW with the ‘Shaker Suit,’ created with PVC
polyfibre, lycra, plastic, and metal. The designer says the
suit is “a play on sound and cheeky humour… a joy to see
it dance across the stage in a ballistic manner.” The
costume is eligible for three awards: its category and the
‘First Time’ entrant and ‘International’
awards.
• An entry from
firefighter/photographer Paul Hagger living in Coorparoo
explores the dark side that lurks within us all. ‘Dark
Prelude’ is a finalist in the American Express Open
Section, created using ribbon wire, pens, and heat shrink
tubing, it represents “the little white lie we all possess
in our hearts.” The costume is eligible for three awards:
its category and the ‘First Time’ entrant and
‘International’ categories.
• The ‘Gate-Keeper Hinenuitepo’ is another
finalist in the Air New Zealand South Pacific Section,
created by Lesley Marsh a Library Officer from Broome.
Hinenuitepo is called the Goddess of the Dead, but she is
misunderstood – her role is to protect and care for lost
spirits. The costume is eligible for three awards: its
category and the ‘Environment’ and ‘International’
awards.
• ‘Shoreling,’ a
finalist in the Gen-i Creative Excellence Section, was
inspired by sea shells, volutas, molluscs, and dentaliums
collected on the shore in Canada. Artist Evelyn Roth now
lives on Maslin Beach, an environment reflected in the
movements and sounds of ‘Shoreling.’ The costume is
eligible for three awards: its category and the
‘Environment’ and ‘International’ awards.
• Textile teacher Christine White from Canberra
is a finalist in the Air New Zealand South Pacific Section,
with her entry ‘Piki Piki.’ Created from tapa cloth and
plastic chopping boards, the piece is inspired by the Tongan
phrase ‘Piki Piki Hama Vae Vae Manaua’ – Hold on to
the outrigger. This symbolises life balance. The costume is
a collaboration with Bonnie Begg and the costume is eligible
for three awards: its category and the ‘Environment’ and
‘International’ awards.
• Returning WOW designer, Svenja from
Hawthorne, Queensland, used fibreglass, monofilament, and
metal leaf to create her entry in the Gen-i Creative
Excellence Section. ‘Euphony Iridaceae’ references Green
mythology, morphing the contours of a gilded harp with the
exotic Iris flower. The Administration Manager describes the
piece as “part gleaming, metallic, musical creature, and
part ethereal, exotic flower.” The costume was a
collaboration with Matt Pettigrew, and is eligible for a
category award and an ‘International’ award.
• Artist/teacher Sadhana Peterson from
Hazelbook in the Blue Mountains challenged herself to make
her love of pottery, textiles, and found objects into
wearable art, and created ‘Sea Shells’ – a finalist in
the Air New Zealand South Pacific Section. She wrapped
hundreds of toothpicks in wire and beads, and mixed these
elements with pottery, silk, and paint. The costume is also
eligible for an ‘International’ award.
• Philippa Stitchbury and her costume ‘Haere
Mai’ is a finalist in the Air New Zealand South Pacific
Section. The expat New Zealander living in Melbourne, heard
a version of the ‘Haere Mai’ song played at the World of
Wearable Arts show in 2011. The piece embodies welcome and
homecoming. Created with tapestry, handmade dolls, fabric
and beads, ‘Haere Mae’ reflects Maori legend and custom,
and the colours of the New Zealand native bush. The costume
is also eligible for two additional awards for being a
‘First Time’ entrant and an ‘International’
designer.
• Textile artist Catherine
O’Leary from Melbourne explores how shapes can be
transformed in the process of being worn, with her piece
‘Storm in a D-Cup.’ The finalist in the Bizarre Bra
section says she was inspired by the way telescopes and
piano accordions work. She used felted merino wool, wire,
and plastic boning to create her entry, which is eligible
for the category award, and an ‘International’ award.
The following is a snapshot
of the 164 finalist costumes (by 168 designers) in the 2012
Brancott Estate WOW Awards Show:
• 106 of the finalist costumes are by designers
from all over New Zealand, and 58 of the finalist costumes
are by international designers.
• There are 36
student finalists (New Zealand and international combined),
with the majority (14) of them presenting costumes in the
Tourism New Zealand Avant Garde Section.
• 75
finalists are first time entrants.
• 28 of the
costumes are designed collaboratively by two or more
designers.
• 2012 marks the return of the
Bizarre Bra category, which is included every second
year.
The seven 2012 Brancott Estate WOW Awards
Show categories are:
The Tourism New
Zealand Avant Garde Section this year is the largest
section. Avant Garde is where art and fashion
collide! Designers are asked to create a wearable work of
art that is revolutionary, extravagant and extrovert, but
still stylish and made with skill. Designers are driven by
dreams and fantasies, not commercial reality or the usual
restrictions of fashion.
The American Express
Open Section is also substantial this year. This section
has no thematic boundaries, giving designers complete
freedom in concept, construction and materials. This
section encourages a high degree of originality and
innovation.
The Gen-i Creative Excellence
Section’s theme this year is Visual Symphony.
Designers were asked to design a work of art that makes
sound. Now that the finalists have been chosen, each piece
will be choreographed to a music score composed especially
for this section. Each costume will have its moment within
the music score on the stage, which will be microphoned to
amplify the costumes sound, e.g. the costume becomes an
instrument/sound within the music composition creating an
interesting soundscape.
The Children's Section
theme this year is “Conceal and Reveal”. Designers
were asked to create a costume of anything they wanted as
long as it transformed with an element of
surprise.
2012 is the alternate year of The
Bizarre Bra® Section. Though normally hidden, the bra
has shown itself in past Brancott Estate WOW Awards Shows to
provide highly creative and witty reinventions, and this
year is no different.
The Air New Zealand South
Pacific Section is a beautiful section. Designers have
gathered inspiration from New Zealand’s rich Maori culture
or other cultures of our South Pacific neighbours. Costumes
celebrate what it is like to live in New Zealand and the
South Pacific – the sea, beach, flora, fauna, birds,
insects and the wide and wonderful personalities of our
unique cultures.
The CentrePort Illumination
Illusion Section has no thematic boundaries, giving the
designer complete freedom of concept to create a work of art
in another dimension that glows under ultra violet
light.
2012 Brancott Estate WOW Awards Show
creative partners are:
Composer and
musician, Gareth Farr
Gareth Farr was born in Wellington, beginning
his studies in composition and percussion performance at
Auckland University, Victoria University, and later the
Eastman School of Music in New York. He has been
commissioned to write music for many high-profile events
including the 50th anniversary of the New Zealand Symphony
Orchestra, the opening of Te Papa, and the Olympic Games in
Sydney 2000, and Beijing 2008. In 2006 Gareth was made an
Officer of the New Zealand Order of Merit and was the
recipient of an Arts Foundation Laureate award in 2010. He
has composed music for over 30 theatre productions, and has
been awarded three Chapman Tripp Theatre Awards for
Outstanding Composer of Original Music. Gareth was also
commissioned to write music for the 2011 Rugby World Cup
opening ceremony and games. He is currently lecturer of
Graduate Studies in Advanced Orchestration at the NZ School
of Music.
Choreographer, Michael
Parmenter
Michael Parmenter
is synonymous with bold and innovative contemporary dance in
New Zealand, where he has created some of his most
challenging and exciting theatrical works. Parmenter began
choreographing whilst a student at the National School of
Ballet, with five major works emerging from his first decade
of dance, developing his dance skills in New Zealand, New
York and Japan. He later established his own dance company,
Commotion, and choreographed for other companies including
the Royal New Zealand Ballet, and Footnote Dance Company,
whilst continuing his work as a solo artist. In 1998 he was
made a Member of the New Zealand Order of Merit
(MNZM).
Choreography, Tanemahuta
Gray
Tanemahuta Gray graduated from the New
Zealand School of Dance in 1994 Having created and staged
his first work in 1997, Te Ao Hurihuri—The Changing World,
he shifted to London in 1998, where he performed for De La
Guarda, one of the world’s leading aerial theatre
companies, traveling over five years to Las Vegas, Buenos
Aires, Amsterdam, Berlin, Seoul and Sydney. Tane has
directed 16 Productions and Events and performed in two kapa
haka national competitions for Ngati Pooneke. He directed
and produced Maui One Man Against The Gods over four
separate seasons nationwide, and two Manawatu regional
events called the Elements Carnival in both outdoor and
arena set ups was Artistic Director for Arohanui - The
Greatest Love (produced by Te Matatini for the Rugby World
Cup in 2011), and is a co-curater/director of the Kowhiti
Festival.
Footnote Dance
Company
Founded by Deirdre Tarrant, Footnote
Dance has been a significant part of the dance experience
for thousands of Kiwis for the past 25 years. Footnote has
at its heart a determination to create a secure, sustainable
professional company of excellent dancers who can respond to
the innovation and ideas of contemporary choreographers
wanting to communicate through the most universal art form -
dance. Footnote runs Dance-in-Education programmes that
travel from Whangarei to Winton, and presents touring
seasons in theatres throughout the
country.
Vector Wellington
Orchestra
The Vector Wellington
Orchestra (VWO) plays an extensive role in the cultural life
of Wellington City and the wider region, performing for up
to 100,000 people each year. Every year the VWO presents its
own series of up to five subscription concerts in Wellington
and the lower North Island. Fostering young people's
enjoyment of music is another one of the orchestra's
important contributions to the region through entertaining
concerts to pre-school and primary school children and
families.
New Zealand School
of Dance
The
Wellington-based New Zealand School of Dance is one of the
Southern Hemisphere's leading dance conservatoires, training
the professional dancers of tomorrow. Established in 1967,
the New Zealand School of Dance celebrates 45 years this
year. The New Zealand School of Dance is well connected to
the dance community through secondments, visiting guest
teachers and choreographers, competitions, professional
networks and the ambassadorial role of its
graduates.
ends