Atamira Dance Company Tours to Asia
Atamira Dance Company Tours to Asia Forging Relationships Between NZ And Chinese Dance.
Atamira Dance Company presents
MOKO
ASIA TOUR
Choreographed by Moss Patterson
The talented Atamira Dance Company are off to take their successful show MOKOoverseas to the highly esteemed Beijing Dance Festival, the first New Zealand Dance Company to be presented there, followed by the Chang Mu Dance Festival 21st July - 4 August.
Moko premiered just over a year ago at Sky City Theatre, to rave reviews with its Worldfashion costumes, cutting edge set to dance interactions and illustrious AV use, winning the Installation Award at the 2015 Interior Architecture Awards for their innovative set design. Choreographed by Artistic Director, Moss Patterson, it was heralded as not only unmissable but at the forefront of today’s Contemporary Dance. The festivals they head to are each highly regarded in their own esteem and only signify the level of success that Atamira Dance Company have reached.
The Beijing Dance Festival is co-organized by BeijingDance/LDTX, Guangdong Modern Dance Company and City Contemporary Dance Company (Hong Kong). Together with the Guangdong Dance Festival and China Dance Forward, they form the biggest contemporary dance network in China. This year, it has evolved to a 2-week programme with one week of educational activities and one week of performances and showcases of national and international programmes.
"It
is the first time ever the Beijing Dance Festival presents
dance works from New Zealand. We appreciate the philosophy
of Atamira, who dedicates in promoting Maori culture in a
contemporary form. We are absolutely happy and proud to be
able to present Moko, a work of quality and passion, and to
have it as the starting point of cultural and artistic
dialogues in dance between New Zealand and China."
Karen Cheung, Beijing Dance Festival
Director
ChangMu International Dance
Festival was created in 1993 by ChangMu Arts Centre
to promote international cultural exchange with a view to
‘Globalisation of Asian arts through a succession of
traditions in contemporary style’. ChangMu International
Dance Festival prides itself as a place to discuss and
exchange a variety of culture and has played an important
role in the progression of choreographic arts. Connecting
unique cultures from around the world and leading world
dance into the 21st century, the festival continues to
introduce new trends and movements through workshops,
experimental presentations and discussions, along with
master classes in all locations.
Atamira have gone from strength to strength; securing funding from Creative New Zealand, acceptance into the Creative New Zealand - Touring Australia initiative 2014, and touring previous works to Hawaii, San Francisco and New York, with MOKO the first piece specifically selected to perform at the prestigious Jacob’s Pillow Dance Festival.While in China, Artistic Director, Moss has been invited to attend Taipei Arts Festival as a guest artist to forge stronger links and intends to visit Cloud Gate Dance Theatre while there.
The patterns of Ta Moko explode both emotionally and literally onto the stage in new three-dimensional forms. A multi-media, kinetic and sensory dance performance experience. Moko contains mythological references to ancient past and responses to the present world. Referencing the deity of earthquakes ‘Ruaimoko’ who causes the shifting of the earth’s surface creating scars on the earth’s exterior. Moko is a journey of unfolding to find oneself.
Performing Moko is Nancy Wijohn, Bianca Hyslop, Gaby Thomas, Sean McDonald, Eddie Elliot and Mark Bonnington.
“I am swept away with pulsating movement in solos, group ritualistic unisons that build into a strident, born again haka, wiri breathing life force into the narrative and into the dancers.” – Metro, 2014
“a visually dramatic series of dances in which lighting, sound and set design come together to create a total art installation, a visual and aural onslaught, almost operatic in its intensity” - The National Business Review, 2014
ENDS