Remnants, Remains: Kirsty Gardiner Ceramics Exhibition
Remnants, Remains: Kirsty Gardiner Touring Ceramics Exhibition begins at Aratoi
MASTERTON, WAIRARAPA, NEW ZEALAND
ARATOI Wairarapa Museum of Art and
History in Masterton, presents "Remnants, Remains", a new
exhibition by leading ceramic artist Kirsty Gardiner,
opening Fridayevening February 2nd at 5:30pm and running
until March 18th.
KIRSTY GARDINER HAS BEEN
EXHIBITING THROUGHOUT NEW ZEALAND FOR OVER 20 YEARS, and
‘Remnants, Remains’ is her fourth solo show at Aratoi.
the Museum offers the exhibition "Remnants, Remains" for
touring to other venues.
EVERYONE IS INVITED TO MEET
THE ARTIST on Saturday morning, February 3rd, at 11am: the
artist will guide viewers through the show.
GARDINER
HAS WON SEVERAL AWARDS, INCLUDING THE PORTAGE CERAMIC
AWARDS. Australian ceramic artist Stephen Bowers, who judged
those Awards, described Gardiner’s work as referencing
“dreams, science, museums, laboratories, mummy jars,
collections, nature and metamorphosis." Gardiner also won
the 2013 Wairarapa Art Review Premier Award and the
Excellence Award from the 2015 New Zealand Society of
Potters ‘Elements’ exhibition.
THE ARTIST'S HUIA
BIRDS AND FLIGHTS OF MOTHS HAVE BECOME WELL-KNOWN, but her
practice is far broader, including fantasy birds and other
creatures, and whole environments. Some of her most recent
work refers to the devastating bleaching of coral in the
world’s oceans, an exquisite reminder of the fragility of
the marine ecosystems threatened by climate change and
pollution.
THE 'REMNANTS, REMAINS' EXHIBITION EXPLORES
IDEAS SURROUNDING HISTORY, FANTASY, ORNITHOLOGY, AND
SECOND-HAND SHOPS . An op-shop enthusiast, Gardiner imagines
what such a shop would have looked like in the year 1900 –
what items would one find? ‘Remnants, Remains’ presents
those imagined objects, as seen in her installation ‘Rag
and Bottle Shop’, a medley of small mid-fire porcelain
objets d’art.
A FOCAL POINT OF THE SHOW IS 'INNATE
WHISPERS' -- A PORCELAIN INSTALLATION OF 29 WALL-MOUNTED
KōKAKO inspired by the Three Flying Ducks wallpaper in her
grandmother’s kitchen and a piece of French linen
depicting fantastical birds in strange flight that she found
at an op-shop. Fired to different temperatures to create
change in scale and colour, the work pays homage to the
South Island Kōkako.
GARDINER HAS SEVERAL INFLUENCES – her childhood in rural South Africa, French and English porcelain, New Zealand ornithologist Walter Buller, the father of nonsense literature Lewis Carroll, and poetry. For eight years, Gardiner worked part-time at Aratoi as a gallery technician and was also deeply inspired by the Collections at the Museum.
FOR VENUES INTERESTED IN TOURING THE EXHIBITION, please contact the Director of Aratoi, Susanna Shadbolt (www.aratoi.co.nz).