Japanese Breakfast Share New Album For Melancholy Brunettes (& Sad Women); First Ever New Zealand Show Announced

Japanese Breakfast releases her anticipated new album, For Melancholy Brunettes (& sad women), today via Dead Oceans.

Produced by Grammy Award winner Blake Mills — an innovator of uncommon subtlety, known for his work with everyone from Bob Dylan to Fiona Apple and quietly regarded as many a legacy artist’s favorite guitar player — and tracked at the venerable Sound City in Los Angeles — the record sees Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.

“Over the course of promoting this new album I’ve often been asked to clarify the difference between melancholy and sadness. I think of melancholy as a kind of anticipatory grief, one that comes from an acknowledgment of the passage of time, from the recognition of mortality and finitude. In some way, too, I think it marks the artist’s condition, constantly observing through that lens,” Zauner says of the album. “‘Nothing thicker than a knife's blade separates happiness from melancholy,’ Virginia Woolfe writes. I wanted this album to capture the moments where that knife slips. When people want too much, when they cede to temptation, when they are seduced and punished.”

Japanese Breakfast celebrates the album release with the recent announcement of a worldwide tour. The Melancholy Tour will be the band’s first tour in three years, following the Jubilee Tour in 2022. Japanese Breakfast will play New Zealand for the first time ever on June 7th, with a performance in Auckland at The Town Hall.
Further information can be found here: https://japanesebreakfast.rocks/

Though Zauner has experimented with science fiction on Soft Sounds from Another Planet and buoyant surrealism on Jubilee, the landscape of European Romanticism that underpins For Melancholy Brunettes and the dense tissue of classical allusion that comes with it marks new territory for a songwriter entering her artistic maturity. She credits a range of antecedents with inspiration. The forlorn café girl in Degas’ “L’absinthe”. The seascapes of Caspar David Friedrich. The passionate longing and wild, undulating moors in Wuthering Heights. Hans Castorp wrapped in his camel hair blanket, dreaming on the Berghof balcony. It is an atmosphere made palpable by the intricate, interlocking guitar arrangements that accompany much of the record, lapping like waves over the meter, often as oblique in their expression of the chord as Zauner can be in her polyvalence of feeling and insight.

Sadness is the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life’s essentially tragic character occurs with sensitivity to its fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record’s many episodes.

Track List:
1. Here is Someone
2. Orlando in Love
3. Honey Water
4. Mega Circuit
5. Little Girl
6. Leda
7. Picture Window
8. Men in Bars (Feat. Jeff Bridges)
9. Winter in LA
10. Magic Mountain

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